Sunday, 31 January 2010

Second Lives - Tim Guest (TwentyTen Challenge Review)


I've had this book on my to-read pile for a while now, and finally got round to reading it this month.  It first came to my attention when I heard of the author's premature death last year (he was only 34). At the time, I happened to be writing a story about virtual worlds so I went out and bought it.

Was I disappointed? Well, yes and no. It's a readable account of Guest's experiences of virtual living, alongside an exploration of the wider industry, with the main focus on the website, Second Life.  Guest looks at the way in which users engage with virtual communities, interviewing a range of different people. He spends time with a physically disabled group who find their voice via the internet, chats with the ruler of an entire virtual world and finds out how one woman made in excess of $1 million through virtual acquisitions.  His writing style is easy to follow, and insightful.  He's always trying to probe beneath the surface, to find out why people prefer to live imaginary lives and he succeeds...to a certain extent.

Unfortunately, the book fails on two counts.  The first concerns the relevance of the subject.  The book was written in 2006 so it's already 4 years out of date - a long time in IT. Sadly, this could never have been more than a historical record.

The second problem wasn't as serious, but it irked me. The structure was rambling and choppy.  It was as if Guest had tried to stuff extra material in at the back, glossing over several topics at once. He also kept changing his approach - sometimes taking an emotional stance, and other times, maintaining a textbook style.  I suppose that I would have liked one or the other.

Overall, though, Second Lives, did give me the insight that I was looking for, and I think it's a shame that Guest's writing career was cut so short. He had the potential to be a fine non-fiction author.

The Last Mile

My novel is finished...or at least I thought it was.

I've been reading back through the manuscript again this week, and unfortunately, I'm not there yet.  It's like packing for a house move.  All the big boxes are taped up ready for the big day, but the smaller items are still lying around, hiding in corners and sitting in drawers.  It's these last few little things that take the longest to organise. I need to make sure that they are collected up, sorted and added to the whole.  Some I can leave behind, and they won't be missed, but others are vital.

In  my case, the crucial tweaks involve atmosphere, tension and continuity. I've written a paranormal novel so all three are central to the narrative and I know that I can improve on what's already there.

I try not to give myself too hard a time with deadlines, but I'm hoping to finish these last revisions by the end of the week.  Then, I'll be sending off to a reader for a final, objective appraisal.  If all goes to plan, I aim to submit at the end of February.

Thursday, 28 January 2010

UK YA Fiction Sales Break £50m in 2009

The UK book-buying market is finally catching on to YA.  The Bookseller reported an 89% increase on 2008 sales in 2009, with a large percentage coming from the sales of the Twlight series.

Publishers believe that high street bookshops could do a lot more to capitalise on the interest in YA, and there are rumours that booksellers may start to dedicate shelving to this area outside of children's fiction.  The article also commented that the market had begun to extend upwards to female readers in their late twenties (and thirties, I might add!).

Obviously, this is fantastic news for all YA authors out there.  We've already known that YA is the way to go for a long time, but it's good to see that everyone else is realising the potential in this market too.

Monday, 25 January 2010

Word Count Headaches

I always seem to write less than more.   I always have done.  It's all because I had an excellent English teacher who insisted on concise essays and severe cropping.  The habit's been with me ever since  - right through university and into working life. It's no coincidence that some of my favourite authors keep it short and sweet too - David Almond, Raymond Carver, Meg Rosoff.

My tendency to err on the succinct side wasn't an issue until I started writing fiction. The standard word count for YA is 50-70K, and I keep on coming in at the 42-45K mark.  I guess that's my natural level once I've removed the flab.

So now I've got a dilemma on my hands. Do I stick with a novel that I'm happy with or do I add extra wordage?  At the moment, I'm plumping for the latter, but I want to make sure that I don't bulk the story up for the sake of it and that's the hard part.  How do I integrate something new without undermining/diluting/altering the essence of the whole?

My approach goes something like this:

Outline
Does the plot make sense?
Do I need more scenes?
Is there enough conflict?

Characters
Do certain characters need more attention?
Should I introduce another situation so that they can reveal themselves?
Are their motivations clear?
Are the stakes high enough?

Detail
Am I painting a vivid picture?
Do I include all the senses in the description?

I'm sure that there are many more, but I find that these basics are enough for me to re-assess before I reach the Beta stage.

Thursday, 21 January 2010

Making the Time to Write

Someone asked me about where I find the time to write last week. It took me a while to answer them. There's no simple solution as I work full-time and have a demanding job. I guess I just make time, but there are some lifestyle choices that help me to do this (and I specifically chose these so that I could write):
  • Living close to work (5 mins in the car and I'm home)
  • Having a lower-management job (challenging, but not everything)
  • No kids (maybe not forever, but not just now)
  • Owning a laptop
  • TV fast until 9pm every night (shame I can't say the same for internet!)
  • Subscribing to lots of brilliant YA author blogs
  • Putting aside at least 4 hrs each weekend just for writing
  • Buying a couple of soups or ready-meals each week (fast dinners = more writing)
  • Setting loose deadlines on blogs/social networks
  • Booking off the occasional long weekend to focus
I'm by no means the fastest writer in the world, and I don't find word count targets always help me. I don't even write every single day. But, I do try.
AND I enjoy it (perhaps the most important choice of all).

I'd love to hear how other people find the time too. 

Tuesday, 19 January 2010

New Puffin Teen List Launched

Good news! Puffin Books is going to launch a teen publishing imprint. The Razorbill imprint has already been established in the US by Penguin, and some of the titles will be joint acquisitions, but the new UK list will be distinct from this.

The first three titles, all debuts, will launch this summer, including The Summer I Turned Pretty by Jenny Han in June.

Monday, 18 January 2010

UK Literary Agents - Children's Fiction

I've been working on the climax of my novel all week, so thought I'd break it up with some agent-analysis. I first submitted last year, and received some good feedback, but I decided to kill the search after a few weeks.

Why?

I just didn't feel as if I'd done the story justice. There was a lot more in there waiting to be teased out. Also, I didn't want to waste my chances of representation. The UK isn't like the States - there aren't hundreds of agents, there are only a few or so I thought after reading the The Children's Writers' and Artists' Yearbook. BUT - that's not the case. After doing some further research, I've already identified 36 possible agents with websites who accept submissions and I've estimated that there are at least another 6 beyond this who don't have websites, which makes a grand total of 42!

This info makes me very happy indeed. I'm not ready to contact them yet, but that day isn't far off now...

Thursday, 14 January 2010

Why revising is like curry

I'm working on a rewrite of a YA novel that I began in late 2008. It's been simmering for a long time, between other first drafts, because I wanted to make sure that the story was as good as it could be.

Happily, I'm nearly there now. It's much improved. I found that with every re-read, I've added a new layer. I can completely see why it's a bad idea to send a first draft out without sitting on it. It's like the difference between eating a curry immediately and leaving it overnight - the flavours deepen, the nuances intensify - creating a much richer aftertaste.

It sounds like a simple theory, and it is - if you overlook the fact that you will also probably need to stir and reheat that curry a bit, add some new ingredients. And in my case, revise the recipe completely.

So now, I'm at the final stage. A final stir, a few sprinkes,a tasting, and it'll be ready to serve. I know this is a cheesy analogy, but it works for me!

Tuesday, 12 January 2010

Is it worth paying for a literary consultancy report?

Today, I thought I'd share my penny's worth on perhaps one of the most contentious questions in the industry and judging by the forums - second only to The Great Twilight Debate.

I may have set myself an impossible task because there is no satisfactory answer to this question. It depends. It depends on your writing ability, your commitment, your cash, your time, your networks. In short, you have to be absolutely sure that your writing is the best it can be (after reading books, blogs, forums), and that you've exhausted all other resources - betas/critique groups etc.

It's not a light decision to make, and I know, because I turned over this question in my mind last year after completing my first novel. I'd had some good feedback, but was still unsure about my overall ability so I ordered a detailed report from Cornerstones.

It turned out to be the best thing I could have done (I know that this sounds like a pitch, but it's not - honest!). The editor gave me great advice on all aspects of my story, line-edited my manuscript and offered an industry perspective without ruining my confidence. It all made perfect sense and I'm 100% convinced that it's made me a better writer. BUT only because I was already at the point where I could benefit.

So yes, it is worth it - if you are absolutely sure that you're at the right stage and you research the consultancy thoroughly (and by that, I mean check the forums, blogs, everything). One extra word of warning though - don't think it will automatically mean that your work will be submitted to literary agent. This can and does happen, but I believe it's rare. You're better off to viewing it as an appraisal only and this way, you won't be disappointed.

Monday, 11 January 2010

Writing for Children - Essential Websites

I've been writing for years, but it's only during the last year, that I've really upped my game and started to find out about what it takes to get published.  Bad news is - it's hard, very hard. Good news is - there's a lot of free information, advice and support out there is you're prepared to put the graft in.

To kickstart 2010, I've produced a short, but sweet rundown of all the sites that I've found useful so far. Some of them will require exploration, others are pretty straightforward:

Absolute Write
(international writing forum)
This forum has to be listed first. The tips here cover every writing scenario you could imagine - from creating characters to submitting to agents.  The content focuses mainly on the US publishing industry, but there are contributions from UK posters too. A definitive resource.

Nathan Bransford (US agent)
Nathan is a publishing superstar. His blog is followed by writers all over the world, and rightly so. His posts are full of good advice about writing, submitting and marketing.

The Greenhouse (UK & US agency)
The website is full of helpful info for aspiring UK authors, and Sarah blogs regularly. A must.

Kidlit (US agent Mary Kole)
Mary is a top YA agent and runs a website packed with tips and competitions. This is a recent find for me, but I love it!

The Other Side of the Story (US author - Janice Hardy)
Again, a US blog, full of technical and marketing advice from the author's perspective.  I've learned lot from Janice.

Tall Tales and Short Stories (UK website and blog)
This is the best UK website for children's/YA writers as far as I'm concerned. Tracy does a grand job - running interviews with authors, agents and publishers.  It's got to be the top place to find out what's going on in the UK children's publishing industry.

Spinebreakers (UK Children's book site for Teens - run by Penguin)
Reviews and feedback from the people who matter.

Achuka (Independent Children's book Review Website)
Collects the best of the news and reviews from the UK Children's publishing industry.

I could include many more in this list, and would love to hear comments from anyone who has sites that they'd like to add. If I gather enough, I may run a part 2 later on in the year. Soon - worthwhile sites that cost money.

Saturday, 9 January 2010

Any Excuse to Read (or not to write)

I was taking a break from my intense (ahem) writing schedule to check out some blogs and I came across this challenge on Bart's Bookshelf.  Well, this was far too good an opportunity to miss.  First - if you hadn't guessed already - I love books, and second - I like lists almost as much (also quite obvious, methinks).

I'm seeing this more as a WIP at the moment.  I'm going to be crossing over with my UK/US challenge otherwise that's a lot of books! Here's the plan:

Young Adult
The Pain Merchants - Janice Hardy
Jellicoe Road - Melina Marchetta

T.B.R.
Second Lives - Tim Guest
The Phenomenon of Man - Pierre Teilhard de Chardin

Shiny & New
The Graveyard Book - Neil Gaiman
The Owl Killers - Karen Maitland

Bad Blogger’s
The Knife of Never Letting Go - Patrick Ness
Clay - David Almond

Charity
TBC

New in 2010 
The Crowfield Curse - Pat Walsh
The Thousand Autumns of Jacob de Zoet - David Mitchell

Older Than You
A Wrinkle in Time - Madeleine L'Engle
Daddy Long Legs - Jean Webster

Win! Win!
Mortlock - Jon Mayhew
Hush Hush - Becca Fitzpatrick

Who are you Again?
Incarceron - Catherine Fisher
The Little Stranger - Sarah Waters

Up to You!(OK - it's not original, but I'll go for Graphic Novels)
Ex Machina: The First Hundred Days - Bryan K.Vaughan
TBC

Friday, 8 January 2010

Children's Publishers Play Safe in 2010

I mentioned the lack of UK YA debut author's in my last post, and guess what? I just found the answer here in The Bookseller.

'The outlook for the children's market this year will be cautious, low risk and very traditional—despite publishers saying 2009 performed better than expected. The end of year collapse of Borders in particular has contributed to "setting the tone" for 2010, according to Stephanie Barton, managing director of Penguin Children's Books.'

Not particularly encouraging for unpublished writers, but I still believe that it's worth submitting a well-polished manuscript. If a novel is good enough, it will sell regardless or at least catch an agent's interest.


UK YA Novels - 2010 Reading List

Friday night. It's cold...very cold in the High Peak and so I've been huddled next to the radiator - compiling my UK YA 2010 reading list, while I wait for the Chinese takeaway to be delivered.

So in no particular order:

Dark Goddess - Sarwat Chadda
Changeling: Blood Wolf - Steve Feasey
Tall Story - Candy Gourlay
Mortlock - Jon Mayhew
Numbers: The Chaos - Rachel Ward
Timeriders - Alex Scarrow

Of these, only Candy and Jon are debut authors, three are sequels and one is by an established writer. It's strange, but I've found it really hard to track down any British YA 2010 debuts on the internet.  I only know about Jon and Candy's recent successes because they blog. I suppose that it's a possibility that either a) the lists haven't been firmed up for this year yet or b) publishers are not taking on new talent.  I really hope it's not the latter.

So - all you debutantes out there - get promoting! I'm more than happy to post interviews, news, covers on this blog (and that goes for established authors too).   US YA list coming next...

Monday, 4 January 2010

2010 Writing Goals

I used to hate January, but it's fast turning into one of my favourite months. Why? Because I get lots of writing done! There's no compulsion to go outside and enjoy the weather, the radiators are on high and it's dark enough to dream. Perfect conditions for being a hermit.

And I also love that the internet is awash with inspirational posts on goal-setting at this time of year. Forget all that rubbish about resolutions simply being flash-in-the-pan fantasies - thinking about what you really want can only be good for you. Let's face it - if you don't know what you want, how do you find it in the first place?

So here are my writerly goals for 2010:
  • Submit a polished version of the ML to agents by Feb 10
  • Finish 4 short stories
  • Outline and begin 1st draft of Project A in Feb/Mar 10
  • Submit 3 pieces to my critique group
  • Attend a SCBWI UK event
  • Attend a masterclass or similar
  • Enter 10 writing competitions (and win at least one!)
  • Write 100 posts for this blog
  • Read 10 UK MG/YA books (release 09/10)
  • Read 10 US MG/YA books (release 09/10)
My ultimate, most bestest goal for 2010 would be, of course, to receive The Two Calls - first from a fab agent who loves my work, and then from a wonderful editor offering a publishing deal.  Then I really will have an excuse to write!

Wishing you a spanking-fresh-bright-clean New Year!